Time does indeed fly. You really start to notice this the older you get. One minute, you’re up to your knees in snow and counting down the days until pitchers and catchers report. The next, you’re walking around in denim cutoffs and a half-shirt, sweating like a whore in church.
That’s why I haven’t been in touch for a while. Time has flown and I’ve been busy. So while I have a few spare minutes, I figured it’d be a good time to bring you up to speed on what I’ve been doing. It’s all good stuff. I’m a fortunate dude for many reasons. And one of those reasons is that incredibly talented people ask me to play drums for them.
Take Wesley Stace (aka John Wesley Harding) for instance. We’re going to be doing a couple of shows next week, including a free show July 13 at Pastorius Park in our shared neck of the Northwest Philly woods. The following night we play Jammin’ Java just outside D.C. Haven’t played the Double J in 11 years. Last time I did was with Pernice Brothers, and it got a little strange. (Then again, most shows near the end of seven-week tours tend to get a little strange.)
You know who else is talented? ELIZA HARDY JONES! She’s been touring forever and a day as part of Grace Potter’s band, which is totally great for Eliza except that we’ve only managed to play one show behind her amazing solo album Because Become, which is one of the best things I’ve ever played on. But we’re finally doing a second show! Sunday, July 24 at Wiggins Park in Camden (about 3 miles from where I grew up in Merchantville, NJ) as part of WXPN’s Xponential Music Festival. We kick off the main stage at noon.
More hot festival action: I’m playing with Heart Harbor at the 55th Annual Philadelphia Folk Festival on Saturday, August 20. It’s traditionally an earthy, crunchy vibe at the Folk Fest, but the last few years they’ve been letting some weirdos like us crash the countryside hang. For the uninitiated, Heart Harbor is the nom de rock of Kerry Hallett. I play on her debut EP Tender Trap (which we tracked in Philly last year with Erin McKeown producing) and you should absolutely hunt it down… post haste!
Some other stuff of note: I spent four days in Hollywood (California) last week recording with The War on Drugs. We had a tremendous time making noise at Boulevard Recording (formerly Producer’s Workshop, where a lot of your favorite records were recorded and/or mixed) and it felt great to be playing with those dudes again. I did a bit of touring with them back in 2012 and played a little on the Lost in the Dream album. We were tracking with producer/engineer Shawn Everett who dialed in some bananas drums sounds and is about as decent a person as they come. Dunno much about plans for the album but I can confirm that the tunes I played on were KILLER.
And one more bit of news that I am especially proud to share: I am now an OFFICIAL ZILDJIAN ARTIST! I’ve been playing Zildjian cymbals since I was 12 and 32 years later (that’d make me 44, if you’re scoring at home) I am now endorsing them. My opinion: some companies make terrific cymbals that are extremely unique, but Zildjian is the only brand I’ve played that covers ALL the bases. They have the perfect cymbal for every situation. And the satin jacket is SO COMFORTABLE! A HUGE debt of gratitude to Zildjian for bringing me into the family.
Last but absolutely not least… We’ve been working on a new Clap Your Hands Say Yeah record on and off this year and it sounds really, really sweet. We’ve been tracking it mostly down at Dr. Dog’s studio just outside Philly. Nick Krill has been killing it at the desk and Alec brought in some classic tunes to work on. I can’t wait for people to hear these songs and this incarnation of the band on record. Hope it's not too long a wait...
Ticket info etc. for all these gigs on the SHOWS page.
That’s about all I’ve got for now. Be good to each other.